One small step from "what is." One giant heap of "what could be."
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Alan and Paul take a trip to the far future in The Time Machine (1960).
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HG Wells didn’t like Fritz Lang’s Metropolis. At all. Alan and Paul look at Wells’s cinematic response: Things to Come (1936).
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Metropolis (1927) is a major cultural artifact, but is it really that good? Alan and Paul dive into the film to find out.
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In which we learn all of Alan’s and Paul’s secrets. Or do we?
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Alan and Paul sink their teeth into 1922’s Nosferatu as they continue the journey through German Expressionist film.
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